I asked him if hypothetically it could run as a plugin using 6 whole Accel cards and the answer was no. I had a nice long chat with one of the two Bricasti designers and he told me the processing power in the M7 is equivalent to 6 ProTools HD Accel cards. Another testament to how well and realistically it blends. One is recording drums in a super small booth, dead and dry, with a pair of mics feeding the Bricasti to get "room mics". In addition to your findings, which I totally agree with, I´ve done some things with the Bricasti that simply never have worked out for me with other units. So not exactly scientific but something to listen to. Both were recorded in the EXACT same location in my tracking room, but different mic set ups (M/S vs close and room). But if you listen to the martin clip as well (no M7, only a bit of lexicon) you can hear the GVCG clip sounds more mature spacially. You can hear the Bricasti on the GVCG clip hereīut its being used as it should- subtle. when I leave he'll be calling the dealer. I also told him to get out his checkbook. So if it sounds that good here, its going to be ridiculous there. Plus his control room has a MUCH nicer monitor section. Trying to meet with a friend/mentor who does full orchestras so we can run some real sections through it. Ill see what I can find for acoustic guitar. Its subtle and complex, but thats the beauty- real spaces are subtle and ridiculously complex. I used to want a 960 or 6000- I dont anymore. Ideally 2 of them- one set for rooms (studio B preset is amazing) and the other for bigger spaces (plates and halls. I may try strapping the bus with some pres or a comp/bypassed for color, but it definitely has the sheen of digital perfection- a good and bad thing.īut I would want it on EVERY mix and it makes my other verbs (pcm70s, a 300 and plugin Vss3) BETTER. Some people want all/only bricasti on a mix but I would not be one of them. Which can be great but its there- all the time. I would dare say acoustic guitar is one of its strongest points. Ill have to pull up an old session and print it. Listen to the new reference in reverb processing it will bring new life to your art, in a way unimagined by any process before it.I will but Im not tracking any right now. With a deep appreciation of the best designs which precede it, and a passion for moving the science of reverberation forward, the Model 7 provides a palette of sounds that encompass the familiar as well as new expressions in the art. Each design element of the Model 7 is a carefully considered statement of our vision of what the evolution of reverberation processing in its most classic form can be. An exceptionally strong stainless steel chassis, and a tooled aluminum front panel, combine with a classic high visibility display and straight forward human interface, to complete an enduring design that is intended to fulfill its role, now and into the future. A separate fully differential analog section and dedicated transformer based linear power supply provide the finest analog specifications of any product of it's kind. A modern high resolution digital design, utilizing a stunning array of the latest DSP processors, provides a platform for the long overdue next step in reverb processing algorithms. The Bricasti Design Model 7 provides the highest level of musicality and ease of control imaginable in a processor dedicated to the task of reverberation. The Bricasti Design Model 7 Stereo Reverb Processor
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